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BERNHOFT & The Fashion Bruises -
The human touch makes a noticeable difference. Listeners invariably respond to that tactile bond between the musician and the music.
To put it simply in the parlance of our times, you know when it’s real…
“So much current music is computerized and machinelike,” he affirms. “I felt like I should go the other way and create human music again. It’s imperative to keep in touch with organic life, so I dove into those soundscapes. I rediscovered that touch. By ample use of guitars, drums, and bass, I’m trying to smash people out of Facebook and back into real life.”
If anybody can do it, it’s him. Since making his solo debut on 2008’s Ceramik City Chronicles, he’s quietly amassed a catalog celebrated by fans and critics alike, spanning full-
Joined by The Fashion Bruises, the process for Humanoid commenced in old school fashion. Rather than rush into the studio, they spent time woodshedding in the rehearsal room. The shared chemistry flourished.
“We did this all as a band,” he continues. “We didn’t use computers. We really played through everything. The Fashion Bruises are such an integral part of the sound. The days of playing solo aren’t over, but I’m definitely taking a break. The goal was to keep this like a live performance.”
They recorded at Oslo Klang in Norway for only two weeks with Bernhoft behind the board in the producer’s chair as his infant son crawled around the space.
“There’s nothing better than having a baby crawl around your feet when you’re playing guitar,” he smiles.
The group introduced the album with the first single “Buried Gold” [feat. Raelee Nikole]. Over a funky beat driven by lively guitars, he locks into a hypnotic duet with Raelee. Their voices entwine in an undeniable back-
“The song represents what the album is about,” says Bernhoft. “It’s a dialogue between an optimist and a pessimist who are both engaged in fisticuffs daily within me. I’m shifting between disillusionment and re-
Elsewhere, handclaps, acoustic energy, and warm reverb bottle a sun-
In many respects, the title track remains the perfect representation of Humanoid. A hummable guitar riff gives way to a lively chorus that’s downright impossible to shake.
“It says something about the man-
In the end, Bernhoft has got the power to make people put down their phones, get up, dance, and maybe even think.
“You can dance to this one, but you might have some deeper thoughts,” he leaves off. “All said and done, I’d love to just reintroduce a connection.”
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